Some modern type designs given his name are not closely related to his, but are based on types that were mistakenly attributed to him. His roman letter forms won general acceptance in France and elsewhere and were a chief influence in establishing the roman letter as standard, in place of the gothic or black letter. His roman and italic types, however, were innovations in being designed as metal types, not as imitations of handwriting. His royal Greek type ( grecs du roi), designed for Francis I, imitated the Greek writing of a scholar of his time (Angelos Vergetios). Types designed by Garamond were used in the printeries of the Estienne family, Colines, Plantin, and Bodoni, and types used by the Elzevir family were based on his designs. According to tradition he learned his art from Geofroy Tory. It works particularly well in books and lengthy text. Garamond is a beautiful typeface with an air of informality which looks good in a wide range of applications. The italic is based on types cut in France circa 1557 by Robert Granjon. Garamond, Claude (klōd gärämôN’) , 1480–1561, Parisian designer and maker of printing types. Garamonds types were, in turn, based on those used by Aldus Manutius in 1495 and cut by Francesco Griffo. Garamond’s Background Posted: | Author: jhero916 | Filed under: Garamond, Type | Leave a comment Garamond, Claude
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